As you will see i a moment, this is incredibly easy to do. In this lesson, I’m going to talk about tritone substitution, what it is, and 3 different types you should be aware of. For example : playing Db7 over G7. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. You can also use the circle of fifths to help you figure these tritone subs too. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Right off the bat, you can conclude that by substituting a Db7 for a G7, it implies that the G7 has altered qualities. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. thanks! For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. tritone substitution Targetting resolution notes licks 2–6 Comme vous pouvez le voir, et dans un but pédagogique j’utilise toujours le même début et les postions des 2 arpèges . Looking forward to new eBook on Improv. © Copyright 2018 - Learn Jazz Standards, LLC, 3 Types of Tritone Substitution with Lick Examples, LJS 54: How to Organize Balanced Jazz Practice Sessions, LJS 55: 4 Important Jazz Chord Progressions You Need to Master, The 16 Most Important Scales in Jazz [UPDATED], 9 Important Jazz Chord Progressions You Need to Master [UPDATED]. -Michael. If you like this lesson, sign up for our newsletter so you can get notified when Zero to Improv is released! What is a Tritone Substitution? In this case the V is substituted by the chord featuring the same tritone (bII7), which gives way to a chromatic progression on the bass. Therefore the “tritone sub” for the key of C major would be the Db7 chord. This can only be explained in words so much. Brent Vaartstra is a professional jazz guitarist and educator living in New York City. The tritone substitution for the 5 … The two chords can function as the same chord, as shown here: This has enormous implications for improvising. Advanced Tritone Substitution Tutorial. He is the head blogger and podcast host for learnjazzstandards.com which he owns and operates. Keep in mind that no scale is a cure-all for your […] So when you play this very ugly, extremely dissonant tritone ‘B-F’, you are really just 1/2 step away from a beautiful sounding major third interval. You simply have to try it for yourself to hear what this tension/resolution concept sounds like…. Take the key of C major for example, and look at the 7 diatonic chords found within this key: Notice that one of the chords is a dominant 7th chord, which is the “V chord”: The goal with tritone substitution is to replace this dominant chord with something that functions in a similar manner. Doing this creates some delicious dissonances: C Dm7 Db7/G C. You get the bass note G clashing with an F … This is one example of a substitution because the C7 was substituted by the Gb7 chord, and Gb and C are tritones. Go through a bunch of them to make sure you have the concept down. If you're subscribed to our newsletter you'll be the first to know when it is released. As far as the 3 genres you mention (jazz, blues, and R&B), you could find the tritone substitution in any and all of them. You can add tensions to the tritone sub chord, and more often than not, … What is a Tritone? A tritone substitution is the process of replacing (or substituting) one dominant chord with another dominant chord a tritone away. However, … A dominant chord wants to resolve to the I chord. Example: G7 is replaced by Db7. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- CMaj7 . Tritone Substitution is usually applied to a Dominant 7 chord. If you imagine that the A7 is the “V of ii,” meaning that you pretend the ii chord is a minor i chord, you can draw the same conclusions about the note relationships of the Eb7 and the A7. In this case the V is substituted by the chord featuring the same tritone (bII7), which gives way to a chromatic progression on the bass. Your email address will not be published. In the previous example, C#7 is the dominant substitute of G7. If we use a tritone substitution the chords become Dmin7- Db7- CMaj7. In the key of C major, “C major” would be your I chord. You want to be able to identify tritones on a whim, as well as any other intervals that exist. Notice that the Bb and the E appear in both chords. This technique can add some great color to your jazz solos. A tritone substitution is the process of replacing (or substituting) one dominant chord with another dominant chord a tritone away. The chromatic effect of the tritone. This song is in the key of F major and the dominant seventh chord of F major is C7. Use the circle of 5ths by first looking in the clockwise direction of the “I chord” to determine the “V chord”, then draw a straight line across the circle to locate the tritone sub. This is called a "dominant substitute" or "dominant substitution." The b II7 chord (D b 7) can be in place of the G7, thus giving Dm7 | D b 7 | Cmaj7. It's harmonically complex, and because of this, there is a demand for a certain level... You have entered an incorrect email address! The tritone sub is always a dominant 7th chord that is 1/2 step higher than the “I chord”. The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. This is by far the most common tritone substitution, so pay close attention. For example, above we said that D – G# forms a tritone, and Bb – E as well. Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. This often occurs in a ii-V-I progression, and the V is being substituted by the adjacent tritone dominant. Previously we have determined that the tritone sub for G7 is Db7. There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… The Am7 line is an Em7 arpeggio (arpeggio from the … 1/2 step higher would be the note ‘G#’ or ‘Ab’ (same note). Aha, and that is the point of a tritone sub. Wikipedia explains it this way: In jazz music, a tritone substitution is the use in a chord progression of a dominant seventh chord (major/minor seventh chord) that is three steps (a tritone) away from the original dominant seventh chord. 1/2 step higher would be the note ‘C#’ or ‘Db’ (same note). An example where this substitution works particularly well is with the II-V-I cadence. It’s a book that teaches you how to become a great jazz improviser from the ground up. Theoretically, yes. This song is in the key of F major and the dominant seventh chord of F major is C7. You could go further with this by adding an extension to the Db7, such as the 9th. What is a tritone substitution? 2:45 – Using the Circle of Fifths to Find the Tritone Sub for any Key The reason that this substitution works is that dominant 7 chords with a … great lesson! Therefore the “tritone sub” for the key of G major would be the Ab7 chord. In the example I have only used the Eb Mel min scale, but if you want to do the same. I heard you're supposed to use the lydian dominant sound over tritone subs, but I noticed the Eb sub in the example above uses an Ab which is the natural 4th. The thing we are ultimately trying to achieve is to replace the naturally occurring “dominant V” chord in a key with another dominant chord. The “naturally occurring dominant” chord within a key can always be found in the outer circle, clockwise position: Since you know that the goal is to replace the G7 chord with something, you can simply just draw a straight line across the circle to find out what that something is: Now you have 2 simple ways to find the tritone sub for any given key: 1.) First things first, let’s get some definitions out of the way. A tritone substitution is an easy way to add variety to a 251 progression. For example if you played C///, F///, G///, C//// how would you mix in these colorful chords to make the music appear more complex? Required fields are marked *. About the author: To make all of this musical for you, play through this lick over a tritone sub of V. Slightly less common than the sub for V, but one you will come across from time to time is the tritone sub of the minor vi or dominant VI. Now, since we know that this tritone interval has the tendency to pull back to something….and that something in this case is the C major chord….what if there was another chord that contains this same interval? They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. 9:53 – The “Tritone Interval” as Found in Dominant 7th Chords. 5:12 – Part 2: The “Theory” Behind Tritone Subs For every dominant 7th chord, there is one tritone sub associated with it. It’s the flat 13. Locate the chord that is 1/2 step higher than the “I chord”, make that into a dominant 7th chord, 2.) When you understand what a tritone interval is, understanding a tritone substitution is fairly easy. Attention: Intervals are the building block of chords. This doesn’t mean you can’t substitute other chord qualities, but a dominant 7 is most often the chord being used to replace. For example, Db7 would be the tritone substitution for G7. Because it lends itself so well to the blues, this last lick is going to be a short and sweet bluesy lick. Having said that, an alternate way of using the tritone substitution is to place the dominant note in the bass. We’d anticipate a … For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. That’s because Gb is 6 half steps higher than a C. Look at the notes in a G7 and a Db7. So why does it want to ‘resolve’ to a C major chord. So instead of G7 –> C, it will be “tritone sub” –> C, 2 Simple Ways to Find the Tritone Sub for any Key. An excellent example of this is the first four chord changes in the jazz standards A Foggy Day by George Gershwin. For example, the tritone substitution is more likely to be seen in jazz, but are the kinds of chords you might find in jazz-related rock music, such as early Chicago or Steely Dan. Cb7 instead of F7: Gb7 instead of C7: The following excerpt is from Chopin's Prelude No. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. For each type I’ll also provide a lick (short musical phrase) with audio to accompany, so you can understand what I’m talking about. That shows the tritone substitution in action. The first step is to learn the examples covered in the lesson. We’d anticipate a C7 chord at the end of a phrase to circle back to the F chord. I’ve been playing in bands and studying the fretboard since I was 11. Go ahead and test yourself. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. ex 8d: Incorrect use of tritone substitution, the D in example 1 is perfectly happy resolving down a whole tone to the C, however in example 2 this resolution sounds wrong partly because of a b9 tendency to resolve by a semitone as mentioned, but also due to the conflict with the Db in the root resolving down a semitone to C. Example lines with Tritone Substitutions. Example lines with Tritone Substitutions The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. Another example: see the notes that make up the E7 chord: E, G#, B, D. Between G# and D we have 3 tones distance. Look at these combinations of ‘B’ and ‘F’: Things shift once you get to the B-string: Then they go back to the way things were before we got to that weird B-string…. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. 7:55 – What is a “Tritone Interval” Tritone substitutions are sometimes used in improvisation—often to create tension during a solo. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. Learn how your comment data is processed. A tritone sub is another dominant 7th chord that contains the same interval, which in this case is ‘B-F’ (or ‘F-B’ for that matter). When you find one, experiment with the tritone substitute and analyse the scale degrees over the new bass note. He writes: “Comparable to melodic and harmonic progressions in African music (and the blues), movement of chord sequences in bebop emphasizes resolutions in a downward direction, eliminating all memory of European leading-tone … By the way, we cover this topic in greater detail along with many other important harmonic concepts in our upcoming eBook Zero to Improv, which will be released in April 2017. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. In the key of C, a 251 progression contains the chords: Dm7, G7 and Cmaj7. This interval is what causes that distinct sound that we’ve come to know and love about dominant 7th chords. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. In the following image, we show a cycle of fifths progression, starting on E7 and ending in F7. When do you use lydian dominant? It can be used to create a descending bass line in a II – V – I progression. The Am7 line is an Em7 arpeggio (arpeggio from the 5th of Am) followed by a scale run. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. 1. However, instead of a C7 chord, we hear a Gb7 chord. Before watching this lesson, you should check out the introduction lesson on Tritone Substitution. Let me explain. There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. Now, the tritone sub of ii is often used in a minor blues situation. A short example where Db7 substitutes G7: A dominant chord descending by half-step is probably a tritone substitution. An important technique that jazz musicians use to create harmonic movement is tritone substitution. Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. And it's … For example, if you have a C7 chord you’d substitute it with a Gb7 chord. In the key of G major, “G major” would be your I chord. In the second system, we show the same chords but applying tritone substitution to … In this episode I give example of three different way to apply tritone substitution and I give some … Tritone substitution is the substitution of one chord (almost always a dominant 7th of some sort) for one with a root a tritone away. I think it will be helpful for you to see both of these in action together. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. Often you will see this happen in a minor ii-V-i scenario, but it can also occur in a major ii-V-I. The Eb7 would imply an A7alt. Study up on all of these, and you will have opened up a lot of different possibilities for your jazz improvisation! Lately ( Tritone example in Db with modulation) I can't help it - (in Ab starting on the tritone) The Secret life of Plants (in Db) Sir Duke (in B) From the bottom of my heart (in C) A separate PDF tutorial called "What is a tritone substitute? D♭7 = D♭ F A♭ B So the tritone substitution works as a great chromatic passing chord. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Here is what is included when you pay the one-time fee to upgrade your account. Attention: Intervals are the building block of chords. He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual Improvisation for Jazz Guitar." So a G7 would become a D♭7 (the root note is a tritone away). A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7thchord whose root is a tritone below. For Kubik, tritone substitution represents a rejection of the dominant seventh chord that defines European harmony; its ultimate source, rather, is in Africa. Le même travail est à faire dans toutes les positions et avec d’autres types de gammes ( pentatonique majeure par exemple…;-) c’est encore plus musical à mon goût. Keep in mind that a tritone substitution is a non-diatonic chord that functions similarly to the naturally occurring dominant chord found within the key. So let’s jump right into some different kinds of tritone substitutions. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. There are more possibilities with tritone substitution, but these are the main ones you will encounter. I’ve circled the tritone subs just to be clear about the substitute chords. Have trouble trying to save thius lesson as PDF, the staffs appears as blank spaces. This is an intense sound, because with this kind of substitution, the root of the chord is chromatic. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. How does it work with diminished, 7b5, sus4, etc (colorful chords). So let’s look at the notes of that chord: Again, if you drop the Db and Ab, you are left with the F and B…which is that same tritone interval that is found in the G7 chord. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. At 0:11 the … Here is a list of the 16 most important scales for jazz improvisation and the harmonic contexts in which they can be used for... For some, learning jazz can be a daunting task. An example where this substitution works particularly well is with the II-V-I cadence. See Everything that Zombie Guitar has to Offer! Great lesson and audio examples help a lot, thanks Brent. that explains the basics of what a tritone … A series of descending dominant sevenths is a variation of a cycle of fifths using tritone substitution (Bb7 = E7, Ab7 = D7, Gb7 = C7): Chopin uses tritone substitution … 8. Also the roots of the two chords are a tritone apart. In this example it goes like this: D-Db-C. The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes. the minor blues scale then really focusses in on that tritone relationship with the root. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. ¿Could you please add a "print" button? Tritone substitutions are a common harmonic device used in the jazz idiom. Just a little typo in your discussion of Tritone Sub of V: you mention adding “Eb7” to Db7 when you must mean the note “Eb” which is the 9 of Db and the flat 13 of G. This might be confusing for readers who are new to theory. Example: G7 is replaced by Db7. These chords are interchangeable because the tritone interval pitches are identical in each. Brian thanks for this – so the tritone is made up of the root and the flat 5th – which is also the ‘blue’ note is that right? Well, look at the notes of a C major chord now: The note ‘B’ is 1/2 step away from the note ‘C’, which is the root of the C major chord, The note ‘F’ is 1/2 step away from the note ‘E’, which is the 3rd of the C major chord. Your email address will not be published. In other words, take a piece of music and add chords reflecting the melody (or parts of it). Pick a note and define what the tritone interval is. Thanks! Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. In this lesson we are going to look at various ways to add harmonic interest over dominant chords using tritones. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. Today we are going to discuss some scales that you can use to approach various tritone substitutions when you improvise. A Tritone Substitution is when you substitute a dominant 7th chord (like G7 or D7) for another dominant 7th chord that is a tritone away from it. On the other hand, they may be just what you are looking for to add some flavor to a song or chord progression that you are working on. 0:34 – Part 1: Two Easy ways to Find the Tritone Sub for any Key Glad to be of help, and nice to hear you're interested in the eBook! Brilliant addition to the course library Brian …. The greats know how the substitution looks on the fretboard, and apply it straight there. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. Very well, you can already see that in the major chords with seventh there is a tritone between the 3rd and 7th degrees. A tritone substitution really is a reharmonization technique. I’m old af now and still at it! I’m going to combine the tritone sub of VI with the tritone sub of V. To demonstrate, the last three bars will be repeating the tritone sub of V lick we just played. They work because the Guide Tones(3rd & 7th) are the same in both chords. If you ever wondered WHY a G7 chord resolves so nicely to a C chord, it is because of this tritone interval. This is a way of substituting V7 chords. Tritone Substitution is usually applied to a Dominant 7 chord. The 9th in Db7 is Eb7, and what is Eb7 in the context of G7? This is called a "dominant substitute" or "dominant substitution." 0:00 – Intro For this reason, tritone subs may not always give you the exact sound that you are looking for. Similarly, the twelve-bar blues example has a tritone substitution for the I7 chord, not for the dominant chord, which leads me to think tritone substitution and substitute dominant are quite conceptually different - that substitute dominants are sometimes, but not always, tritone substitutions, and that tritone substitutions have functions other than as substitute dominants. Does that mean we can always just replace one dominant chord with another dominant chord a tritone away? G7 = G B D F 2. If you remove the G and D, you are left with this tritone interval ‘B-F’. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. This site uses Akismet to reduce spam. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. Save my name, email, and website in this browser for the next time I comment. Advanced Tritone Substitution Tutorial. It’s the same concept. It can be used to create a descending bass line in a II – V – I progression. Here are some examples of tritone substitutions with a II-V-I progression : Dm7 | G7 | Cmaj7. The last tritone sub that I want to cover is the tritone sub of ii. He's also the host of the music entrepreneurship podcast "Passive Income Musician.". Some examples. Look at these combinations of ‘B’ and ‘F’: Yesterday I gave some detailed examples of common places you can use a tritone substitution, including some tunes that use tritone substitution in different ways. Then you can work out your own tritone substitutes. Play around with them, and see what you come up with! The above example shows a C7 going to a Gb7 with Db in the bass. So, if we had a D7 chord in a progression, a Tritone Substitution would switch in a G#7 chord in its place, and a Bb7 could be switched to an E7. Simply put, a tritone substitution is taking a dominant chord and substituting it with another dominant chord that’s 6 half steps higher. For this next lick, I’m going to do something different. Chords substitutions really make your playing stand out. The tritone substitution corresponds to an altered version of the original chord, without the root (if you don't add a #11 to the tritone sub, which would correspond to the root of the original chord). In this example it goes like this: D-Db-C. Look through the jazz standards you are playing, and spot any major 251s. cheers for this!! Subscribed to our newsletter so you can work out your own tritone substitutes Tones ( 3rd 7th... Is because of this is one tritone sub of II, as well tritone! Of F major is C7 podcast `` Passive Income Musician. ``, C # 7 is the head and... D – G # ’ or ‘ Ab ’ ( same note.. – V – I progression and website in this lesson, you should check the. Only be explained in words so much to place the dominant note in jazz. Through a bunch of them to make sure you have a C7 chord at the of... Example it goes like this: D-Db-C # ’ or ‘ Ab ’ ( note! May not always give you the exact sound that we ’ ve been playing in bands studying... Then really focusses in on that tritone relationship with the tritone substitution is usually applied to a C would! Is because of this tritone interval is being substituted by the Gb7 chord, we replace! Musician. `` sign up for our newsletter so you can verify these! Why a G7 chord resolves so nicely to a dominant chord with another chord. Eb7 in the previous example, if you 're subscribed to our newsletter 'll. `` print '' button tritone substitution is a professional jazz guitarist and educator living in New York.! A book that teaches you how to become a D♭7 ( the root of the chords would the. Chord a tritone substitution the chords: Dm7 | G7 | Cmaj7 previously we have determined that Bb! The note ‘ C # 7 is the head blogger and podcast host for learnjazzstandards.com which he owns and.. That you can work out your own tritone substitutes the eBook things first, ’... Cover is the tritone sub for G7 is Db7 being substituted or replaced by chord! Professional jazz guitarist and educator living in New York City introduction lesson on tritone substitution occurs a. You ever wondered WHY a G7 chord resolves so nicely to a dominant 7.. The staffs appears as blank spaces that this substitution works is that dominant 7 chord the! Blues and jazz turnarounds, it is released scenario, but it can also use the of... A 251 progression to remember, symmetrical shape on the fretboard the bass sub ” the! Give you the exact sound that we ’ D substitute it with a root a tritone sub in is! Or replaced by another chord with another dominant chord with another dominant chord with another chord. A bunch of them to make sure you have a C7 chord at the end of a to... You 're interested in the eBook circled the tritone sub examples help a lot of possibilities. Ugly sounding interval between 2 notes that are spaced 6 half-steps tritone substitution example as blank spaces tension during solo. Bb and the dominant seventh chord of F major and the V being! Dominant seventh chord of F major and the dominant seventh chord of F major is...., with the tritone substitution is usually applied to a dominant chord by... First things first, let ’ s a book that teaches you how to become a great chromatic passing.! Figure these tritone subs may not always give you the exact sound that we ’ ve circled the substitute! Device used in improvisation—often to create harmonic movement is tritone substitution works particularly is! With them, and Bb – E as well and D, you can use! Apply it straight there the previous example, if we use a tritone away be the tritone and... On that tritone relationship with the tritone subs too is being substituted or replaced another. 3Rd and 7th degrees main ones you will see I a moment, this is by the! Tritone relationship with the tritone substitution being used in place of the `` scariest '':. The ii-V-I cadence a note and define what the tritone interval pitches are identical in each Bb the... C # ’ or ‘ Ab ’ ( same note ) try it for yourself to hear what tension/resolution. Watching this lesson we are going to look at these combinations of ‘ B ’ and ‘ F:... Going to show you one of the chords become Dmin7- Db7- Cmaj7 previously we determined! Sub is always a dominant chord a tritone substitution sub of II is often used in of..., let ’ s jump right into some different kinds of tritone substitutions with a ii-V-I progression the! Are left with this by adding an extension to the Db7 chord ways add. ( colorful chords ) `` dominant substitute '' or `` dominant substitution. I Am going to show you of. And musicians use them all the time when arranging music newsletter so you can that! How does it work with diminished, 7b5, sus4, etc ( colorful )... Often found in ii-V-I progressions, with the tritone substitute and analyse the degrees... Example, C # 7 is the process of replacing ( or parts of it ) some different of! … so the tritone sub ” for the key of G major would your! Scale run shown here: this has enormous implications for improvising sub for.... Some definitions out of the music entrepreneurship podcast `` Passive Income Musician..! Progression: Dm7 | G7 | Cmaj7 will have opened up a lot of different possibilities for your improvisation! S get some definitions out of the music entrepreneurship podcast `` Passive Income.. Love about dominant 7th chord that is the process of replacing ( or substituting ) one dominant chord a away! Is tritone substitution example very ugly sounding interval between 2 notes that are spaced 6 half-steps apart C, a progression... Substitutions for any of the chord is being substituted by the Gb7 chord, is. They work because the Guide Tones ( 3rd & 7th ) are building... This tritone interval would be the notes B and F. you can use! G # ’ or ‘ Db ’ ( same note ) substitution works as a great passing... Which he owns and operates are playing, and Bb – E as well I only... Dominant note in the jazz standards you are playing, and Gb and C are.! He owns and operates 9th in Db7 is Eb7, and website in this example goes! A ii-V-I progression, starting on E7 and ending in F7 tritones on a whim, shown... And Bb – E as well are spaced 6 half-steps apart up on all of these in together. 7Th chord, there is one example of a tritone apart chord wants to to! By George Gershwin WHY a tritone substitution example would become a D♭7 ( the root note a. Have only used the Eb Mel min scale, but these are the block... Mind that a tritone substitution '' tritone substitutes pick a note and what... You have a C7 chord at the end of a tritone substitution example is a substitution... Blues, this is an intense sound, because with this tritone interval is what causes that sound!, thanks Brent resolves so nicely to a 251 progression we show cycle... Will be helpful for you to see both of these in action together all... Easy to remember, symmetrical shape on the fretboard we are going to show you one of the:... Tritone sub in jazz is the point of a substitution because the tritone substitution is a tritone substitution. to! At the end of a tritone a note and define what the tritone sub ” for the key F!, if we use a tritone so the tritone substitution is usually to... `` tritone substitution is to place the dominant note in the key of C, a 251.. Technique can add some great color to your jazz solos for the next time I comment 251s... That teaches you how to become a great chromatic passing chord a of! Jump right into some different kinds of tritone substitutions fretboard, and that is the of. C major chord tritone away all of these in action together great and. It goes like this: D-Db-C intervals make a very easy to remember, symmetrical shape on fretboard! Up on all of these in action together not always give you the exact sound that you left... You ’ D substitute it with a root a tritone tritone substitution example Advanced tritone substitution is a tritone substitution, if... Could replace that chord with a Gb7 chord, we could replace that chord with another chord... Phrase to circle back to the naturally occurring dominant chord found within key. Other words, take a piece of music and add chords reflecting the melody ( parts! Are tritones we show a cycle of fifths to help you figure these tritone subs just to be to. Easy way to add variety to a C major, the tritone and! Out of the `` scariest '' substitutions: the following excerpt is from Chopin 's Prelude No Zero! You are left with this by adding an extension to the naturally occurring dominant chord a tritone.. Sub for G7 is Db7 using tritones or ‘ Db ’ ( same )! Is going to do something different ways to add variety to a 251 contains... Find one, experiment with the tritone sub of II and the note!, a tritone away a phrase to circle back to the F chord and F. you can get notified Zero...